-
-
Writers
-
Categories
-
Recent Comments
- Julie Sheppard on The Doubt of the Benefit: Fake Progress and Lumosity’s “Brain Games”
- Logan Feeney on How I Helped Destroy Star Wars Galaxies
- taolataohoideolamthe on Call of Apathy: Violent Young Men and Our Place in War
- Christopher Robles on Interview: Kyrie Ru of Overture Interactive
- Tobi Alafin on The Doubt of the Benefit: Fake Progress and Lumosity’s “Brain Games”
-
Medium Difficulty Tweets
-
Featured Posts
-
Moral Relativism in Heavy Rain: Pre and Post-Partum
13 March 2012 -
Chasing Mirages: Turning Videogame Criticism Away from the Future
28 February 2012 -
The Pros and Cons of Being Indie
27 April 2012 -
EQUIP WOLF SHIRT>USE:WHISKEY// On ‘Wikis And ‘Tubers: The Height of The Martial Art of Ludology/Strongly-Intensely
18 April 2012 -
The Playstation Meeting 2013 and Why We Should Be Scared
12 March 2013
-
-
Meta
- Entries RSS
- WordPress.org
Tag Archives: Dear Esther
The Pros and Cons of Being Indie
What do we talk about when we talk about “indie” games? It is clear that we don’t mean simply “independent” — there are way too many connotations and associations to the word to simply leave it at that. This article unpacks the term through its short history in games and music culture, and proposes a new understanding for the function of this controversial word. Continue reading
Posted in
Criticism
,
Features
Tagged
90s
,
Black Flag
,
Braid
,
Cave Story
,
deal with it
,
Dear Esther
,
Deat Cab for Cutie
,
Edmund McMillen
,
Fez
,
game development
,
Indie Game: The Movie
,
Indie Games
,
Jonathan Blow
,
Kyle Carpenter
,
Michael Azerrad
,
Pavement
,
Phil Fish
,
Publishing
,
R.E.M
,
Super Meat Boy
,
The Black Keys
,
The National
,
The Shins
,
Tommy Refenes
1 Comment