Tag Archives: The Borderhouse

Editor’s note: the following is a discussion of the status of non-consensual sex in culture and fantasy, and necessarily employs some very charged terms. Please be warned before reading. If you don’t feel comfortable continuing, know that you have our sympathies. By Kyle Carpenter Tentacle Bento, the source of another whirlwind argument regarding the fictionalized portrayal of rape and its place in culture, is going to fade into obscurity within the next few months, but is for now the centre of much deserved discussion.  In many ways a microcosm of the furor that arose over the infamous Penny Arcade “Dick Wolves” fiasco, Tentacle Bento refocused the debate because of the way the game implicitly revolves around the goal of rape, as opposed to a throwaway line in a gag strip. The polemics of this argument are becoming well practiced. On one side, there is the suggestion that Tentacle Bento plays into a Continue reading →